IPAA’s Intertribal Gathering travels to different communities each year, featuring local artists in Indigenous performance showcases, spotlighting Indigenous leaders in the region and encouraging national artistic leaders to connect with the work emerging across Turtle Island (North America). The Gathering will feature showcase performances by some of Canada’s top Indigenous theatre, dance, and musical performers.
Mark your calendars!
Intertribal Gathering returns in-person on May 10-12, 2023, in beautiful Kjipuktuk, (also known as Halifax).
Kjipuktuk is the Mi’kmaw word for Halifax and loosely translates to “The Great Harbour.” Halifax has been home to the Mi’kmaw people for centuries and we are grateful they are hosting #ITG23 on their territory this Spring.
ITG23 will bring together Indigenous arts-makers and allies to Kjipuktuk for three days of sector-focused discussions, networking, performances, and of course, lobster.
ITG23 will follow the Open Space, non-hierarchical conference model. This means that attendees will have the opportunity to set the discussion topics for the conference. Attendees are encouraged to submit discussion themes as part of the registration process, and these themes will help guide the discussions.
ITG23’s themes are:
Making Good Medicine: How can we as artists and arts professionals come together after 3 years apart, and how can we take care of our mental and physical health going forward?
Building a Stronger Sector: What does the performing arts sector look like after it was completely upended by the pandemic? How do we build a better, more sustainable sector?
ITG23 will also feature showcase performances by some of Canada’s top Indigenous theatre, dance, and musical performers.
IPAA recognizes the generous contributions of the Department of Canadian Heritage, the Canada Council for the Arts, the Ontario Arts Council & The Toronto Arts Council
Thursday, May 11
Facilitator: Terri-Lynn Brennan
ITG23 will follow the Open Space, non-hierarchical conference model. Based on the response from our community, #ITG23 will focus on:
How does Open Space Work?
Open Space is a social conferencing approach to holding community conversations.
Using self-determination ideals to identify the issues most in need of discussion and
most important to communities as a whole, conversations are tasked to discuss realistic
and timely answers or opportunities to address those issues, in turn strengthening the
cohesion, health and successful progress of that same community.
At the time of registration, attendees were asked what conference ideas they
were most interested to discuss in an Open Space format at this year’s event, based on the
following two questions:
From those ideas, the event facilitation team (IPAA Board members and event facilitators)
narrowed down themes and/or bundles into 4 broad concepts:
Wellness
Indigenous Spaces
Funding & Supports
Sovereignty & Self-Determination
After the morning break on Thursday May 11th , participants will be provided with sticky notes to
write down their previous or new questions in relation to each of the bundles (one
question per note). The notes will then be posted in an area of our workshop space that
has each of the bundle themes separated on the walls about the room.
During lunch a bundle facilitator will prioritize the stickies based on most similarly
requested ideas. Participants will then review each of the prioritized bundle questions
and decide on which bundle conversation they would like to join. After lunch 4 bundle
conversations will take place simultaneously during Open Space Session 1 with a
facilitator and recorder team distributed about each of the bundle conversations. The
sessions will have at least 90 minutes to share ideas.
After a break in the sessions, each of the 4 bundle conversations will be repeated in Open
Space Session 2 so that participants can either continue with the discussion they started
in the first Open Space dialogue, or move on to another one of the bundle conversations
for again another 90 minutes. There will be only 2 Open Space Discussions, so
participants may move between groups if they are inspired to learn and share in different
conversations.
A Graphic Concept artist who will visit the groups throughout each of the circle
conversation opportunities will begin to put images together on how and what is shared
during these discussions, resulting in 4 concept drawings based in the discussions had for
each of the bundle conversations. On Friday May 12th during the Indigenous-Only
Breakout session in the morning, these concept drawings will form the basis of
information and opportunities for IPAA to continue to serve its membership most
effectively over the next year.
Friday, May 12
Facilitator: Brit Johnston
Reconciliation requires action. It’s great to be an ally to your Indigenous friends and peers but it’s even better to be their arm-in-arm accomplice. This workshop is for Canadian performing arts presenters, managers, and other arts workers who are committed to learning better practices for building meaningful and long-lasting relationships with local Indigenous artists, elders, and communities.
Listen and learn how community connections are being nurtured and sustained; you will come away with new tools and action items to consider in your personal journey as an ally to the Indigenous peoples of Turtle Island.
Intertribal: This session is open to everyone.
Brit Johnston (she/her) is an artist, creative producer, and community activator. She was raised on her maternal grandmother’s ancestral territory, Genabaajing Anishinaabek/Serpent River First Nation, ON. Brit studied Theatre and arts management at the University of Ottawa, she specializes in festivals/events, production management, and community engagement best practices. She has worked with notable performing arts organizations including CAPACOA, NAC Indigenous Theatre, Prismatic Arts Festival, and Ottawa Fringe. Her ongoing mission to create space and uplift Indigenous voices has led her to develop a soft power approach to facilitating good relations between artists, organizations, and communities.
Time | Event | Location |
5pm | Welcome Feast (catered) | Hotel Halifax, Baronet Room |
7:30pm | Dance Showcase | Bus Stop Theatre 2203 Gottingen St |
Time | Event | Location |
8:30 | Breakfast (catered) | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
10am | Introductions | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
11am-11:30am | Break | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
11:30am-12:30am | Open Space Introduction | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
12:30pm | Lunch (catered) | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
1:30pm | Open Space Session 1 | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
3pm | Break | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
3:30pm | Open Space Session 2 | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
5pm | Day 1 Wrap-up | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
5p-7p | Dinner Break | Attendees are responsible for their own dinner |
7:30pm | Music Showcase | Bus Stop Theatre 2203 Gottingen St |
Time | Event | Location |
8:30am | Breakfast (catered) | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
10am | Session 3: Two Breakouts | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
10am | Breakout 1: Indigenous-Only Discussion | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
10am | Breakout 2: Reconciliation in Action (all welcome) | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
12:30pm | Lunch (catered) | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
2:30pm | Final discussions | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
4:30pm | Wrap-up | Mi’kmaw Native Friendship Centre 2021 Brunswick St, # 209 |
7:30pm | Theatre Showcase | Bus Stop Theatre 2203 Gottingen St |
Dates:
Wednesday May 10, Thursday, May 11, Friday, May 12, 2023
Registration Process:
REGISTRATION IS NOW CLOSED
Once you have registered so, return to this web page to pay your registration fee (if applicable). Then, click the hotel link above to book your hotel, and book your own flight.
Accommodation:
Rooms are available at Hotel Halifax at a discounted rate ($164/night) until April 14, 2023
Travel:
Attendees are responsible for their own travel to and from Halifax
Food:
Meals included: Lunch each day, Breakfast Thursday & Friday, Dinner Wednesday
Fee:
IPAA Members Indigenous Artists, and Indigenous Organizations: Free
Ally organizations, non-Indigenous Artists & non-members: $225
Attendees are responsible for their own travel to and from the hotel.
Taxi/Uber
The fastest way to get to the hotel from the Halifax Airport is via Taxi or Uber. It is approximately a 30 minute journey.
Ride Share
Driver Dave is a form of ride-sharing that costs $38/person ($28/person if two people are travelling).
Bus
The airport bus runs twice daily at 2pm & 5pm and must be booked in advance. It costs $29, takes 45-50 minutes, and lets you off at the Via Rail station in downtown Halifax, which is still another 10 min drive from the hotel. Go to Maritime Bus for more info.
Once you have registered, click the PayPal Link below to pay your registration fees. Please check ‘Ship to Billing Address’. We will not actually be shipping anything.
As a reminder, registration is free for IPAA Indigenous Artist Members and IPAA Indigenous Organization members.
Each evening, join us for a showcase featuring some of the best Indigenous Talent from across Turtle Island
Hosted by Jessica Brown
Jessica Brown is an award-winning Inuit producer, director, and screenwriter based in St. John’s, NL. Her short documentary “Framed Spirit Song” (2022) had its world premiere at the St. John’s International Women’s Film Festival. Jessica’s focused on telling Indigenous narratives and improving the representation of Indigenous people in the Canadian entertainment industry. As a filmmaker, Jessica tells authentic stories that will inspire future generations. Her goal is to entertain audiences with engaging narratives while exploring different themes, forms and techniques.
Sarah Prosper
Wisunn na Sarah Prosper (she/they/nekmow), Mikmaw/L’nu e’pite’s of the We’kwistoqnik (Eskasoni) First Nation, tu’s, nuji’j, kwe’jij, nsim, sukwis, aq nitaptut. “Amalkewinu”, began dancing at young age, now a Therapeutic Recreation specialist and MA Leisure student, artistic director of Samqwan and facilitator/curator of workshop “Moving in Mi’kma’ki”. Sarah collaborates, creates, and moves with ms+t no’kmaq, all her relations, in a fluid identity uplifting pursuit, as an Indigenous movement artist. A necessary decolonized approach, in research and in life, Sarah is learning and sharing the sacred knowledge of Indigenous/Mi’kmaq peoples in respect and reciprocity to dance, movement, social sciences & mental health in Mi’kma’ki.
Sid Bobb + Penny Couchie
Along with his wife and colleague Penny Couchie, Sid is Co-Artistic Director and co-founder of Aanmitaagzi, an indigenous arts organization and center for multi-arts, site-specific works and international collaborations. With community, Sid has been art-making, telling stories and dancing on stage, trains, sidewalks, and on the ice. Since 2010, Penny and Sid are also co-owners and operators of Big Medicine Studio, a 3,000 square foot arts dedicated space on the shores of Lake Nipissing.
Michael R. Denny
Michael R. Denny is Mi’kmaw from the Eskasoni Mi’kmaw Nation, in Cape Breton Island, Nova Scotia. A father, husband and renown traditional singer, Michael R has traveled and shared his music all over Atlantic Canada and beyond.
Michael R. sings traditional Mi’kmaw songs and composes Mi’kmaw powwow songs for his powwow drum group, Stoney Bear Singers. He is passionate about Mi’kmaw culture, songs, dances and language, and their revival.
In 2022, Michael R. traveled to the Vatican in Rome as part of the cultural performances at the Vatican during the Delegation to see the Pope.
Deantha Edmunds
Deantha Edmunds is Canada’s first Inuk professional classical singer, and an award-winning performer. An urban Inuk, creator, and mentor, Deantha aims to empower Indigenous people and share their stories.
Deantha’s work has international reverberation as well as community integrity. From solo and internationally broadcast performances for His Holiness, Pope Francis in Iqaluit to performing one-woman shows about the lives and legacy of the Beothuk in Newfoundland, and from contributing to large choral gatherings to teaching one-on-one music lessons, Deantha is committed to bringing her music and skill to developing deeper understandings about reciprocal collaboration amongst Indigenous peoples, their musics and settlers. She brings a level of professional excellence to Canada’s Indigenous art scene that is unique and important.
Actively working on creating original works, contributing to other Indigenous productions, and mentoring young Indigenous artists, Deantha sings her heart out and turns heads across Canada and the world.
DeeDee Austin
DeeDee Austin is a 17-year-old Indigenous singer/songwriter from Fall River, NS, whose infectious energy, dynamic stage presence and authentic songwriting is taking audiences by storm!
A two-time award-winner at this year’s NS Music Week, she brought the Awards Show audience to its feet with her stirring “Buried Truth” ballad about residential school survivors.
Over the past year, the busy young artist has been performing across the Maritimes and Ontario and is working on a new album for 2023. Her most recent single is Natural Born Original. She was recently the recipient of the Young Canadian SOCAN Songwriters Award along with the Chief Noel Doucette Youth Achievement Award.
“My goal is to touch the hearts of all my listeners through my realistic lyrics. I pour my heart into everything that I sing and play!”
Urban Surf Kings
Urban Surf Kings are an Indigenous Mohawk/Kanienkeha:ka) led, award winning group based in Halifax, NS. They continue to honour the tradition of such pioneering Indigenous artists as Link Wray, Pat and Lolly Vegas, and Nokie Edwards. The band’s music is an instrumental celebration of the instrumental Rock and Roll of our first people. The goal is to show people that Indigenous music is diverse, and constantly evolving.
Clifton Cremo
Since beginning his career in stand-up comedy four years ago, Clifton Cremo has been entertaining Canadian audiences with his deft brand of storytelling and wry absurdism. Clifton’s perspective on his Mi’kmaw upbringing and his unique outlook on First Nations issues brought him national attention by showing that no matter the divisiveness of an issue, humor can be a common ground.
shalan joudry
shalan is a Mi’kmaw mother and narrative artist working in many mediums: a poet, playwright, podcast producer, storyteller and actor, as well as a cultural interpreter. shalan has worked professionally as an oral storyteller for two decades, weaving in drum songs and movement.
Her first full-length play, Elapultiek, was commissioned and then produced by Two Planks and a Passion Theatre, which toured in 2018 and 2019. Her solo one-woman theatrical show Koqm, winner of the 2023 Merritt Award for Outstanding New Play, debuted at the King’s Theatre, Annapolis Royal in 2021 then toured the province in 2022.
shalan lives in her home territory of Kespukwitk (southwest Nova Scotia) with her family in their community of L’sitkuk (Bear River First Nation) where she is reclaiming her L’nu language and dreaming new projects.
Treaty Truck House – Sipeknekatik – Mi’kmaq shop – Halifax waterfront – behind Dave’s
Lobster Halifax
Mi’kmaq Petroglyph – Bedford NS
Peggy’s Cove
Discovery Centre
Maritime Museum of the Atlantic
IPAA’s Intertribal Gathering travels to different communities every two years.
If you manage a venue or facility and would like to host the next gathering in your community please let us know by emailing info@ipaa.ca.
2013 Ontario Showcase at Cahoots Theatre, Toronto
2014 Prairie Showcase at La Cite, in collaboration with Saskatchewan Native Theatre Company, Saskatoon, SK
2015 Indigenous Language Showcase at Native Earth Performing Arts in collaboration with Aluna Theatre, Toronto
2016 Northwestern Showcase at Da Kų Cultural Centre in collaboration with Aboriginal Curatorial Collective in Haines Junction and Whitehorse, Yukon
2018 Urban and Rural Arts Showcase at Aanmitaagzi (The Big Medicine Studio) in North Bay, ON
2021 Intertribal Gathering, Online Edition
2022 Coming soon!
March 17 – MUSIC Showcase
March 24 – DANCE Showcase
March 31 – THEATRE Showcase
A huge thank you to G.R. Gritt for hosting the 2021 online edition of the Intertribal Gathering! Check out their music at: https://www.grgritt.com/.